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#2115616 07/14/25 12:36 AM
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My YouTube algorithm is (predictably) weighted to music, so I get my fair share of, "See what this reaction was to that" prompts. I generally hate them. But, every once in awhile, I find an example that makes me want to think. This is one such example.

"How does a Metal drummer respond to/play to a 50 year-old Jazz/Fusion standard?"
ALERT: (15- minute video.... for all you 'short attention-span' internetters)







I've wasted a ton of time online, since 1996.
The time I spent watching and sharing this video is not part of that number.

lemme know whatcha think.
Let's talk Music.


"too many notes, not enough music-"

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Interpretation.

First from my point of view the required stamina for a drummer is intense.

I saw Buddy Rich live numerous times. I mean right up close. Staggering to watch what it takes.

As a non professional beat, rhythm, timing and transition seems key.

Inside the song what role does the drums play? How the drummer interprets his role in the song. How dominant should he play?

Drummers have their own style.


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That was entertaining.

This young man does the same thing but on a piano.

They play him the instrumentals and have him fill in the keyboard.

Pretty cool.

I'm also a big fan of swing piano.





PS, This will most likely be moved to the everything else forum smile

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"PS, This will most likely be moved to the everything else forum"

Thanks for alerting the refs. I posted this in the wrong forum, and spent days wondering why it hadn't picked up ANY traffic. [bangs head repeatedly on desk]

I stopped the vid at 0:55 of a 19:00 minute mini-doc after hearing the words: "Join us- as we dig into the genius of Art Blakey. "
I'll come back to the vid, and respond again to your post with other observations. But, for a minute, I hope you (and the rest of The Pound) allow me to drop down a memory hole.

1981-2.

Lima Symph rehearsal is done. I cruise over to By's crib on Haller St.
Beers, Blunts. The usual, for that time: spin vinyl, talk s# about the work day... and then he says: "Hey- Art Blakey is playing in Dayton next month."

We clocked the date. ROOOOAD TRIIIIIP!!!

Night of the gig: Gilly's Jazz Bar in Dayton.

Art Blakey takes the stage with young bloods the same age as myself & Byron. They are all dressed in tailored suits- in the Jazz Tradition. Art rolls up behind his kit- in a B&W horizonal tight-fitting tee shirt, beneath a worn-out-looking set of bib coveralls. Dude was in his 60's- and was cut/ripped. The band torched the house to ash.

Band took a break.
Byron & I bought drinks for the trumpet and sax players in the Jazz Messengers Band. Those 2 guys:
Wynton and Branford Marsalis. During the only year they shared under Mr. Blakey's band name/umbrella.

Yup.
Byron & I were part of the moment when Jazz lightning was caught in a bottle.


Thanks for allowing me this memory lane moment.
I'll now go back- and watch the rest of your vid.


best,
clemdawg.


"too many notes, not enough music-"

#GMStong
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Envy.

If I could only time travel.

I used to dream about being at "Birdland" back in the day to see the legends who played there.

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Originally Posted by bonefish
Envy.

If I could only time travel.

I used to dream about being at "Birdland" back in the day to see the legends who played there.

Me, too.
If we did it, we'd probably book 4-5 nights in NYC, and hit them all. Wouldn't have mattered who was playing that week- there would have been great music at each of them.

Birdland
The 5-Spot Café
Minton's
Beehive Lounge
Village Vanguard

I'd pack 2-3 suits to wear, along with casual 'walkin' around gear' for daytime. I'd order top-shelf Bourbon at each place. Neat.
I'd sip, stare vacantly at some point in the room... and just let the genius wash over me.

Time: 1949-1960
Place: Manhattan Island, USA.


Let's get that Flux Capacitor online, bro!


"too many notes, not enough music-"

#GMStong
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This kid was inspiring to watch.

His chord structures are deeply Jazz, but he picked up on Elton's structure almost immediately. He knew he was listening to a 1-6-4-5 twelve-bar progression, but he added all these chord substitutions and extensions... probably because he found Elton's root chord progressions kinda boring.

The only thing I think he missed was Elton's initial premise. He's a guy in the mid-'70's, penning a contemporary hit that pays tribute to the 1950's. The root-position chords were actually the point.

No doubt, this kid has prodigious chops. I look forward to hear what he can do in another 5 years.

Thanks for sharing this, Deezl!


"too many notes, not enough music-"

#GMStong
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All of those mistakes I made when I was younger .......

If I could time travel .......





I could make entirely different ones .... crazy lol


Micah 6:8; He has shown you, O mortal, what is good. And what does the Lord require of you? To act justly and to love mercy, and to walk humbly with your God.

John 14:19 Jesus said: Because I live, you also will live.
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Originally Posted by Clemdawg
My YouTube algorithm is (predictably) weighted to music, so I get my fair share of, "See what this reaction was to that" prompts. I generally hate them. But, every once in awhile, I find an example that makes me want to think. This is one such example.

"How does a Metal drummer respond to/play to a 50 year-old Jazz/Fusion standard?"
ALERT: (15- minute video.... for all you 'short attention-span' internetters)







I've wasted a ton of time online, since 1996.
The time I spent watching and sharing this video is not part of that number.

lemme know whatcha think.
Let's talk Music.

I like watching those reaction vids, even if I think some are fake, or at least staged. I am talking the ones where it is just a person or two hearing a song for the "first time" then they play Blue Suede Shoes by Elvis or some other song that nearly anybody over the age or 12 has heard.

I get some maybe not ever hearing a jazz standard as in this vid. Jazz is somewhat of a take it or leave it genre. But, as a pro drummer who knows how to listen to and read drum patterns, you'd think it wouldn't be totally foreign.


If everybody had like minds, we would never learn.

GM Strong




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Let's do it bro.

I remember Bradford Marsalis in Ken Burns "Jazz" saying "all I ever wanted to do was play behind Billie Holiday."

I was like "man I get it."

To sit in those clubs at that time. Must have been magic. What a beautiful disturbance to the air.

It will never happen again.


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